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Color Science Masterclass

  • Intermediate
  • 18 and older
  • $1,200
  • 88 35th St, Brooklyn, NY
  • 15 hours over 2 sessions

Start Dates (0)

  • $1,200
  • AbelCine - Brooklyn @ 88 35th St 4th Flr, Brooklyn, NY 11232
  • 15 hours over 2 sessions
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Class Description

Description

What you'll learn in this camera class:

This long-awaited masterclass on Color Science has finally arrived! We have created a comprehensive, practical training on the subject of Digital Imaging for modern motion picture productions, from the camera to the end-user display device.

In this course, you will learn how to get the most out of modern digital camera sensors and how to take full control of your image. We will teach you the difference between the Scene Referred and Display Referred approach, how to manage and control various color spaces through Gamut and Tonal Mapping, and how to fully embrace the tools for color management available today. 

This course is all about image manipulation beyond traditional color grading tools, advanced camera matching, film stock emulation, HDR and Wide Gamut workflows. At the end of this two-day training, you will not only have full insider knowledge of techniques but will also gain practical experience on how to use them.


DAY 1

  • Color Encoding and Color Spaces
  • RGB, HSV, XYZ, Lab, YUV
  • CIE Chromaticity Diagram
  • Tonal Mapping, Linear, Gamma, Log, PQ
  • Gamut Mapping – how and why?
  • Color Control and Measurement
  • Waveforms, Vector Scopes and Histograms
  • Light Meters
  • Colorimeters
  • Color Checker Charts
  • Camera Test Measurement
  • Characterizing Cameras
  • RED, ARRI, Panasonic, Sony, GH4 and iPhone
  • Display Referred vs Scene Referred Imagery


DAY 2

  • Color Management with Davinci Resolve
  • DCM Interface Overview
  • How to work with 1D LUTs
  • 3×3 Color Matrix in DaVinci Resolve
  • DCTLs
  • Combining CDL and LUT
  • Chromatic Adaptation
  • Color Compression
  • Limitations of DaVinci Color Management
  • Advanced Color Management
  • Colourlab Interface Overview
  • Advanced Color Science and how this works in Colourlab
  • Look Design using Colourlab
  • Show LUT Shaping Techniques
  • Colourlab and ACES
  • Film Stock Emulation in ACES
  • Developing Camera LUTs in ACEScct
  • Colourlab HDR and Look Translation
  • HDR10, Dolby Vision and Hybrid Log-Gamma
  • HDR to SDR round-tripping
  • Look Design Techniques
  • Creative Palettes and Film Profiles and how to use them
  • Hipster Looks
  • Cross process on Kodak Vision 3
  • Sci-Fi Looks
  • Classic 80’s Kodak Print Look
  • 2000 Kodak Vision Camera Negative Look
  • 90’s Action Film Look
  • Film Noir
  • Classic Black and White
  • Orange and Teal
  • Northern Flat Look
  • Flashback Looks

Refund Policy

If a participant is unable to attend for any reason, you may transfer registration to an alternate date or location, or use the full credit towards a different workshop.

You may also transfer enrollment to someone else, but you must provide the updated registrant information prior to the start of the class.

If unable to attend, you must notify CourseHorse within 48 hours prior to the scheduled start time.

We reserve the right to cancel or postpone classes in the event of low enrollment or forces beyond our control. If the instructor is sick or unable to attend, we will notify attendees 48 hours in advance of class to reschedule for a later date.

In any event where a customer wants to cancel their enrollment and is eligible for a full refund, a 5% processing fee will be deducted from the refund amount.

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AbelCine Training

AbelCine is a leading provider of products and services to the production, broadcast and new media industries. We help make technology easier for productions and content creators to understand, access and employ.

AbelCine was established in 1989 as a film camera service and repair company by brothers...

Read more about AbelCine Training

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AbelCine Training

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